Produced by Bristol sound co-founder the musician-producer, this scabrous though slight debut feature casts a critical gaze on the ecstasy-fueled club scene. Venal drug user David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to break into his own parents. In no time, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Duel
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The central theme – that the rave-era youth were mainly focused on themselves – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Nevertheless, a darkly funny standoff takes hold – David desperate to escape; the Poacher withholding his jerrycan of cider, intent on dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Vibe
There is only one important plot development, but it leads to a hilariously staged rampage on the woodland paths that dips close to rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the early stages, he now goes all out with the full psychedelic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
The film releases in British and Irish cinemas from November 17.
